This planet is Public.
You too can create your own planet.
This planet has 7 websites
Chet Baker - She was too good to me (1974) [APE]
TítuloSelloAñoShe Was Too Good To MeColumbia1974 MúsicosChet Baker (tp) George Marge (afl, ob, d'amore) Hubert Laws (fl, afl) Romeo Penque (cl, fl) Paul...
Esto es un resumen. Encontrarás el artículo entero y tendrás acceso a los enlaces en Blue Train.
Clarence 'Gatemouth' Brown - Okie Dokie Stomp
A budget, 12-song collection taken from Gatemouth's three '80s era Rounder albums with an added bonus of a 10-minute version of "The Drifter," recorded live in Switzerland in 1982. A good starting point for anyone coming to this multi-talented artist.-
by Cub Koda, AMG
The first time I heard Gatemouth was in 1952 as a 7th grader. His 78 rpm record, "The Okie Dokie Stomp" was on the cafeteria jukebox, and it played over and over and over again during the lunch hour. Then a few years later I was lucky enough to get my own DJ show on one of the local Galveston radio stations. I chose "The Okie Dokie Stomp" for my theme song and it stayed with me for as long as I was known a Brokenhearted Bill. Gatemouth must be in his late 70s by now, but his style with a guitar has never been successfully copied. Many have tried. If you like the blues, Gatemouth needs to be included in your collection, and this CD is a good place to start. - by William S. Cherry, Amazon.com
Aserejé, versión ópera
(ópera, opereta o lo que sea eso)
Hay dudas sobre si la soprano es humana o si se trata de "un organismo vivo sobre endoesqueleto de metal".
El momento incómodo de toparse con un gigante
Reflejado en esta estatua que fotografió ncd1986 en Bélgica - ¡gracias por enviarlo!
Ensalada de tomate y «bonito»
O como "se dice en inglés", "tomato salad with nice", entre otras perlas que aparecen en el "menu day" de este restaurante situado en la Plaza de Conde Casal (Madrid).
Radio Tarifa - Fiebre
Named after a fictional radio station at the southernmost tip of Spain, Radio Tarifa ostensibly would broadcast to the Iberian Peninsula as well as the southern shores of the Mediterranean. Proving that the distance between flamenco and Arabic music, electric and ancient instruments, and African and pop rhythms aren't all that far apart, the aptly named band is a crossroads of musics, cultures and eras. Strong musicianship pulled it together on its three studio efforts, and does so again here on the group's first live album, which was recorded in 2002. While fans are treated to two new songs, the older ones are a revelation as well, offering up fresh versions of favorites like "Ronda de Sanabria," "La Mosca," and "Tangos del Agujero." Indeed, the band seems to be playing to the crowd and for each other throughout, which is the best reason to document any group in the live setting. –
by Tad Hendrickson, Amazon.com
Radio Tarifa celebrated its tenth anniversary with the 2004 Latin Grammy-nominated Fiebre (Fever), a live album recoreded during a remarkable concert in Toronto, Canada. The album - which The Evening Standard calls "raw, exhilarating, summery and sexy" - captures the dynamism of the live show and takes us on a musical journey spanning the last ten years of Radio Tarifa. The record marks the band's fourth Nonesuch/World circuit release. - Product info
Nota mental: no depilarme las ingles mientras conduzco
Si bebes no conduzcas. Tampoco si te estás depilando las ingles.
Ye Olde Virgin
If you like today’s episode, please digg it. This week, whenever we get a digg, we will yell ‘Chihuahua’, wherever we are, whoever we’re waterboarding at that particular moment.
Joe Zawinul - My People
If one must indulge in categories, My People, featuring the Zawinul Syndicate and a United Nations coterie of guests, probably belongs on the vast world music shelf, the links to so-called jazz now so tenuous as to be nearly, but not quite, invisible. On the percolating "Slivovitz Trail," "Orient Express," "Many Churches," and the Caribbean-tinged cleverly titled "In an Island Way," the music does suggest earlier versions of the Syndicate, and Joe Zawinul's nostalgic evocations of Wayne Shorter on the Korg Pepe reach back even further. Otherwise, Zawinul is looking entirely toward ethnic cultures for musical sustenance. The musical structures are linear, the rhythms full of intricacies welded to Zawinul's love affair with the groove, the synthesizer textures usually sparer than ever. There are vocals in several languages by Zawinul's longtime colleague Salif Keita (for whom Zawinul produced a great album in 1991), Syndicate percussionist Arto Tuncboyaciyan, a throat vocal specialist from South Siberia named Bolot, Thania Sanchez, Zawinul himself, and several others. When translated, the lyrics speak of joy and unity among the cultures, and there isn't any doubt that Zawinul's bubbling music feeds the message of uplift. Hear it; you purists may be jiggling along in spite of yourselves.
- by Richard S. Ginell, AMG
Artist: Joe Zawinul
Album: My People
Year: 1992-1996
Label: Escapade Music (1996)
Total time: 52:40
